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The main theme, "Two Worlds," is a particular standout, eerily echoing his former colleague Peter Gabriel 's worldbeat explorations at times, but all of the songs exception: "Trashin' the Camp" are quite strong.
The only problem is, they're repeated and repeated and repeated. All the different versions are designed to appeal to different markets, but it makes listening to the album a chore -- especially since there is no marked difference between the film version of the song and the radio version, apart from Collins ' vocals.
Of course, this is hardly a new situation for Disney; it's just that the repetition and recycling have never been so blatant or tiresome.
It would have been better to include a main version of each song, then surround it with more of Mancina 's score -- it probably would have resulted in a stronger listen -- but as it stands, Tarzan is a soundtrack with potential, yet is undone by its formula.
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After an initial viewing of Tarzan II , I returned to the original Tarzan , a film which Disney Feature Animation has not since topped financially or in my opinion, creatively. I wanted to make sure I was not overestimating the film and for comparative purposes, I specifically keyed in on the early scenes in which Tarzan is a youth.
I followed up Tarzan with a second chance for Tarzan II and the difference is astonishing. Tarzan II is an unappealing and unnecessary drawing out of Tarzan 's early sequences. More offensively, it is a dumbing down of its predecessor, artistically and emotionally. In the first film, breathtaking images could speak for themselves. This time, precocious youths and ill-conceived stock characters say everything that can be said and more.
Where the first film went for a fair amount of subtlety, this one hammers home every joke and lesson to make sure that tots don't miss out on anything.
In spite of its title, Tarzan II is not a continuation in spirit or story of Disney's winning original film. Instead, it's a "harmless", marketable, youth-oriented tale that fails to inspire or challenge in any of the ways that Tarzan did six summers ago.
Even on its own merits and compared to the studio's uneven record of past DTV features, Tarzan II is quite the inane work. None of its strong qualities - not the serviceable voice cast, not the nice-looking visuals, not the enjoyable Phil Collins music - is able to overshadow the film's void of originality and lack of craft. Colors are vibrant and consistent; the element is impeccably clean.
No edge enhancement, color banding, or compression issues mar the presentation. The lower-budget visuals lack the power and depth of the first film, but offer plenty of appeal on their own.
Tarzan II offers 5. In each, the capable sound design is rather potently realized. There's plenty of bass to give subwoofers a workout.
The recently-recorded dialogue and songs offer wonderful depth and crispness. The jungle environment boasts an apt offering of foley effects and a nice use of all the channels. In short, Tarzan II may be a direct-to-video feature, but its audio presentation gives the impression of a full theater-worthy sound mix. The video follows the pre-teen Evans from the classroom to what's supposed to be an African jungle, where she dances around along with a bunch of other kids.
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